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The speaker of the poem openly describes her "zest/To bear [another person's] body's weight upon [her] breast" in a physical "frenzy" (Millay 4-5, 13). This blunt admission of female sexual desire in a woman's voice has led some readers to view the sonnet as a "frank, feminist poem" in which Millay "acknowledg[es] her biological needs as a ...
"The New Colossus" is a sonnet by American poet Emma Lazarus (1849–1887). She wrote the poem in 1883 to raise money for the construction of a pedestal for the Statue of Liberty (Liberty Enlightening the World). [2]
"All Watched Over by Machines of Loving Grace" is a poem by Richard Brautigan first published in his 1967 collection of the same name, his fifth book of poetry.It presents an enthusiastic description of a technological utopia in which machines improve and protect the lives of humans.
The speaker of the poem is the character Aedh, who appears in Yeats's work alongside two other archetypal characters of the poet's myth: Michael Robartes and Red Hanrahan. The three characters, according to Yeats, represent the "principles of the mind;" whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism ...
"Miniver Cheevy" is a narrative poem written by Edwin Arlington Robinson, published in The Town down the River in 1910. [1] The poem (written in quatrains of iambic tetrameter for three lines, followed by a catalectic line of only three iambs), relates the story of a hopeless romantic who spends his days thinking about what might have been if only he had been born in a nobler and more romantic ...
The speaker then tells his beloved youth that if even reading this sonnet will cause him to suffer, he should forget the hand that wrote the poem. Joseph Pequigney writes that the sonnet is a "persuasive appeal to be recalled, loved and lamented…a covert counterthesis". [3] Stephen Booth calls this sonnet "a cosmic caricature of a revenging ...
The poem was engraved on a single plate as a part of the Songs of Experience (1794) and reprinted in Gilchrist's Life of Blake in the second volume 1863/1880 from the draft in the Notebook of William Blake (p. 107 reversed, see the example on the right), where the first title of the poem The Earth was erased and The human Image substituted. [4]
The poem’s writing process began in the second half of 1796. [7] [8] In its earliest form, the work existed under the title “Description of a Beggar”. [7]A part of the text, which was originally situated after sixty-six lines of today’s version of “The Old Cumberland Beggar”, was removed from the poem and made into a separate work, “Animal Tranquillity and Decay, A Sketch”. [2]