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When Peter Jackson began to look for suitable locations for The Lord of the Rings film series, [5] he first saw the Alexander Farm during an aerial search [4] in 1998 [6] and concluded that the area was "like a slice of ancient England". [5] Set Decorator Alan Lee commented that the location's hills "looked as though Hobbits had already begun ...
Tolkien tourists visiting the Hobbiton film set in New Zealand. Tolkien's books and Jackson's films have stimulated enormous Tolkien fandom activity in meetings such as Tolkienmoot, [6] in Tolkien Societies in many countries, and on the Internet, with discussion groups, fan art, and many thousands of Tolkien fan fiction stories. [7]
Foster attributes the surge of Tolkien fandom in the United States of the mid-1960s to a combination of the hippie subculture and anti-war movement pursuing "mellow freedom like that of the Shire" and "America's cultural Anglophilia" of the time, fuelled by a bootleg paperback version of The Lord of the Rings published by Ace Books followed up by an authorised edition by Ballantine Books. [8]
Tolkien tourism is a phenomenon of fans of Tolkien's fiction making media pilgrimages to sites of film- and book-related significance. It is especially notable in New Zealand , site of the movie trilogy by Peter Jackson , where it is credited as having raised the annual tourism numbers.
Peter Jackson created an extensive set of the Shire with multiple Hobbit-holes, a mill, and a bridge in the New Zealand countryside, used in his films of both The Lord of the Rings and The Hobbit, and elaborate film sets of other places in Middle-earth using bigatures and computer animation. Scholars have admired his films' effective visual ...
Film set of Hobbiton in the Shire, often described as a pastoral idyll. [ 6 ] [ 7 ] Steven Kelly argues that while Tolkien's world is generally viewed as a medieval fantasy world, hence implied to be a pre- capitalistic society, it has some elements of capitalistic society.
The fictional races and peoples that appear in J. R. R. Tolkien's fantasy world of Middle-earth include the seven listed in Appendix F of The Lord of the Rings: Elves, Men, Dwarves, Hobbits, Ents, Orcs and Trolls, as well as spirits such as the Valar and Maiar.
England and Englishness are represented in multiple forms within J. R. R. Tolkien's Middle-earth writings; it appears, more or less thinly disguised, in the form of the Shire and the lands close to it; in kindly characters such as Treebeard, Faramir, and Théoden; in its industrialised state as Isengard and Mordor; and as Anglo-Saxon England in Rohan.
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