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The tree will make a sound, even if nobody heard it, simply because it could have been heard. The answer to this question depends on the definition of sound. We can define sound as our perception of air vibrations. Therefore, sound does not exist if we do not hear it. When a tree falls, the motion disturbs the air and sends off air waves.
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Is the statement, "Yes, it obviously made a sound because all observed falling trees make a sound, and there is no detectable connection between the tree and the observer that affects sound production" equivalent to "Yes, we absolutely know it made a sound" —Preceding unsigned comment added by 65.96.163.148 15:11, 12 March 2010 (UTC)
On the Beatles' 2006 remix album Love, the song was remixed in mashup along with "Being for the Benefit of Mr. Kite!", and snippets of that song and "I Want You (She's So Heavy)" are mixed in with the repeated guitar riff. [46] [47] The mix also included the organ solo and the guitar solo from the Trident studio outtake.
In another review that Richard Williams later cited as an example of the British pop press not being "quite ready" for the album, Melody Maker found the Beatles' new sound "a little subdued" and said that tracks such as "You Won't See Me" and "Nowhere Man" "almost get monotonous – an un-Beatle-like feature if ever there was one". [287]
"Old Brown Shoe" is a song by the English rock band the Beatles. Written by George Harrison, the group's lead guitarist, it was released on a non-album single in May 1969, as the B-side to "The Ballad of John and Yoko". The song was subsequently included on the band's compilation albums Hey Jude, 1967–1970 and Past Masters, Volume Two ...
In addition to the song's lyric being among the most widely and diversely interpreted in the Beatles' discography, the Anthology 2 recording is one of the band's most celebrated outtakes. [ 8 ] The use of dual, harmonised lead guitar parts on the track was still in its infancy in 1966.
According to drummer Budgie, they were all big fans of the White Album except for Smith, and they settled on "Dear Prudence" because it was the one song he knew. [69] Bassist Steven Severin recalled that the track particularly appealed to him because "John Lennon's version sounds a bit unfinished".