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The tree will make a sound, even if nobody heard it, simply because it could have been heard. The answer to this question depends on the definition of sound. We can define sound as our perception of air vibrations. Therefore, sound does not exist if we do not hear it. When a tree falls, the motion disturbs the air and sends off air waves.
[7] [29] Later released on the 1996 Anthology 2 outtakes compilation album, the performance includes the pair giggling, uttering spoken asides, and whistling along with the melody. [28] In his liner notes for the album, Beatles historian Mark Lewisohn comments that the tapes do not indicate the source of the laughter. [30] [nb 3]
Is the statement, "Yes, it obviously made a sound because all observed falling trees make a sound, and there is no detectable connection between the tree and the observer that affects sound production" equivalent to "Yes, we absolutely know it made a sound" —Preceding unsigned comment added by 65.96.163.148 15:11, 12 March 2010 (UTC)
"Helter Skelter" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as the "White Album"). It was written by Paul McCartney and credited to Lennon–McCartney. The song was McCartney's attempt to create a sound as loud and dirty as possible.
Kot describes "Love You To" as "a boldly experimental track" and "the first full-scale incorporation of Eastern instruments on a Beatles album". [ 135 ] [ nb 14 ] AllMusic editor Stephen Thomas Erlewine considers "Love You To" to be Harrison's "first and best foray into Indian music", [ 137 ] while Bruce Eder, also writing for AllMusic, views ...
Höfner 500/1. McCartney custom-ordered a left-handed Höfner model 500/1 "violin" bass during one of the group's early residences in Hamburg. This model, with two pickups very close to the neck and almost touching each other, was replaced in 1962 by a 1963 model, whose pickups were spaced much farther apart, in a more conventional manner.
The Beatles were displeased that Capitol then included the two songs, along with the band's other non-album singles tracks from 1967, on the Magical Mystery Tour LP, which the company released as a full-length album, in contrast to the six-track double EP released in the UK and many other countries.
Martin later described Rubber Soul as "the first album to present a new, growing Beatles to the world", [34] adding: "For the first time we began to think of albums as art on their own, as complete entities." [35] [36] It was the final Beatles album that recording engineer Norman Smith worked on before being promoted by EMI to record producer. [37]