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Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
Tembang sunda, also called seni mamaos cianjuran, is a style of classical vocal music that originated in the Priangan highland of western Java.Unlike Sundanese gamelan music, tembang sunda was developed in the court of the regent Kabupaten Cianjur during the Dutch colonial period (mid-nineteenth century).
Lief Java was established in 1918 by Soewardi as the Rukun Anggawe Santoso Orchestra before changing its name to Lief Java in 1923. The orchestra used a variety of instruments, including cellos, flutes, guitars, and violins.
Tembang sunda, also called "seni mamaos cianjuran", or just cianjuran, is a form of sung poetry which arose in the colonial-era of Cianjur. It was first known as an aristocratic art; one cianjuran composer was R.A.A. Kusumahningrat (Dalem Pancaniti), ruler of Cianjur (1834–1862).
Saarbrücken: Hochschule für Musik Saar; Stuttgart: State University of Music and Performing Arts Stuttgart; Trossingen: Hochschule für Musik Trossingen; Weimar: Hochschule für Musik "Franz Liszt", Weimar; Würzburg: Hochschule für Musik Würzburg; Wuppertal: Hochschule für Musik Köln, Abt. Wuppertal
The Indonesia Institute of the Arts Yogyakarta (Institut Seni Indonesia Yogyakarta, ISI Yogyakarta) is a state-owned college in Bantul Regency, Special Region of Yogyakarta, Indonesia. It teaches visual, performing, and media arts in traditional Indonesian and modern international styles.
Otto Sidharta (Born Bandung November 6, 1955) is an Indonesian Composer.He is known for his electronic music.. Otto Sidharta finished his post-graduate study in composition and electronic music composition at Sweelinck Conservatorium in Amsterdam under the guidance of Professor Ton de Leeuw, and later on he gained his doctoral degree at Institute Seni Indonesia Surakarta.
Classical Afghan music often features this instrument as a key component. Elsewhere it is known as the Kabuli rebab in contrast to the Seni rebab of India. [3] In appearance, the Kabuli rubab looks slightly different from the Indian rubab. [7] It is the ancestor of the north Indian sarod, although unlike the sarod, it is fretted. [8]