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Real Jazz: 67 Mainstream, Traditional, Fusion, Acid Satellite Sirius XM Satellite Radio: N/A N/A Website: Watercolors: 66 Smooth Jazz Satellite Sirius XM Satellite Radio N/A N/A Website: WAEG: 92.3 MHz Smooth Jazz Terrestrial Perry Broadcasting: Evans Georgia (U.S. state) Website: WAJH: 91.1 MHz Smooth Jazz Terrestrial Alabama Jazz Hall of Fame ...
Gathering national, regional and local talents, the one-day affair at Columbia's Rose Park is a thoughtful and accessible entry into jazz. Meet the artists powering this year's free MO Jazz Music ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
A jazz club is a venue where the primary entertainment is the performance of live jazz music. Jazz clubs are usually a type of nightclub or bar, which is licensed to sell alcoholic beverages. Jazz clubs were in large rooms in the eras of Orchestral jazz and big band jazz, when bands were large and often augmented by a string section.
Great American Music Hall, Tenderloin, San Francisco; Keystone Korner, North Beach, San Francisco [4] Kuumbwa Jazz Center, Downtown Santa Cruz [4] [1]: 5 Maybeck Recital Hall, Berkeley [4] Mr. Tipple's Recording Studio, San Francisco [1]: 5 Jazz Workshop, San Francisco; SF Jazz Center, San Francisco
The center runs a Middle School Jazz Academy, a High School Jazz Academy, and a Summer Academy, all in New York City, all of them with free tuition. Every year the orchestra tours and visits schools throughout the U.S. [ 5 ] The Essentially Ellington High School Jazz Band Competition and Festival takes place every year at Jazz at Lincoln Center.
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
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