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The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
The list of horn makers spans all time, and not all still exist. Andreas Jungwirth [1] Atkinson Brass and Company [2] Briz Horn Company; Buescher Band Instrument Company; C.G. Conn; Christopher Cornford [3] Daniel Rauch; Dieter Otto [4] Ed. Kruspe; Engelbert Schmid [5] F. E. Olds; Finke [6] Gebr. Alexander; Hans Hoyer [7] Herbert Fritz Knopf [8 ...
Peter Damm, principal horn Dresden Staatskapelle 1969–2002. He is professor of horn at the Carl Maria von Weber music conservatoire. Vincent DeRosa, LA studio player; Richard Dunbar, was a player of the French horn, playing in the free jazz scene. He was born in Brooklyn, New York, on May 29, 1944, and he died suddenly at the age of 61 ...
The French horn (as distinct from the German and Vienna horns), is also usually referred to simply as the "horn" by orchestral players. The bore of the French horn is small, between 10.8 and 11 mm, compared to 11.5 mm for the German horn, but not as small as the Vienna horn at 10.7 mm.
Concertino for Horn and String Orchestra, Op. 45, No. 5; Benjamin Lees. Concerto for French horn and Orchestra; György Ligeti. Trio for Violin, Horn and Piano (1982) Hamburg Concerto (1998) Magnus Lindberg. Campana in Aria for horn and orchestra (1998) Trygve Madsen. Sonata, Op. 24; Josip Magdić. Concertino for Horn and instrumental ensemble
However, playing a 3rd space C (F-horn, open) and repeating the stopped horn, the pitch will lower a half-step to a B-natural (or 1/2 step above B ♭, the next lower partial). The hand horn technique developed in the classical period, with music pieces requiring the use of covering the bell to various degrees to lower the pitch accordingly.
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