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A timpani roll (most commonly signaled in a score by tr or three slashes) is executed by striking the timpani at varying velocities; the speed of the strokes are determined by the pitch of the drum, with higher pitched timpani requiring a quicker roll than timpani tuned to a lower pitch.
A drum roll (or roll for short) is a technique used by percussionists to produce a sustained sound for the duration of a written note. [2]All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by ...
Like Haydn, Ludwig van Beethoven began one of his famous works, his Violin Concerto, with a timpani solo. Unlike in the Drum Roll symphony, Beethoven's solo forms the opening theme; the same notes, when they reappear in the recapitulation section (m. 365), are played by the full orchestra.
After the opening drum roll, the bass instruments play a somber opening theme: . As commentators have pointed out, [4] the first four notes of which match the Dies Irae chant, part of the Latin mass for the dead:
Timbal, tímpano and timpani all derive from the Latin tympănum, from the Greek týmpanon, meaning drum. (The Spanish word for drum, tambor , although similar, actually derives from Arabic tabl ). In Cuba and Latin America, timbales (timpani) were adapted into pailas , which is the name given to various Spanish metallic bowls and pans used as ...
The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may have a "military" type theme or sound to them.
Eight Pieces for Four Timpani is a collection of short pieces by Elliott Carter for solo timpani – four drums played by one musician. Six of the pieces were composed in 1949. Two new pieces were added in 1966, and the rest were revised in collaboration with percussionist Jan Williams.
The opening movement begins dramatically, with the piano entering in a virtuosic manner. The first movement segues into the second, called a "Romance" written for piano and cello, without orchestra. It begins with an extended solo piano passage, then the solo cello enters. At the end, a timpani drum roll segues into the final movement.