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"Son of Man" is a song by Phil Collins for the soundtrack of Disney's Tarzan. In the 1999 animated film, the song accompanies a montage in which Tarzan learns how to be an ape and progresses from childhood to adulthood. Along the way, he picks up skills from fellow jungle inhabitants, and he duels with an African rock python.
Tarzan: An Original Walt Disney Records Soundtrack is the soundtrack for the 1999 Disney animated feature film Tarzan.The songs on the soundtrack were composed by Phil Collins and the instrumental score was composed by Mark Mancina.
Mosab Hassan Yousef (Arabic: مصعب حسن يوسف; born 5 May 1978) is an ex–Palestinian militant who defected to Israel in 1997, thereafter working as an Israeli spy for the Shin Bet until he moved to the United States in 2007.
In the indefinite form ("son of Adam", "son of man", "like a man") used in the Hebrew Bible, it is a form of address, or it contrasts humans with God and the angels, or contrasts foreign nations (like the Sasanian Empire and Babylon), which are often represented as animals in apocalyptic writings (bear, goat, or ram), with Israel which is ...
Son of Zorn is an American animated/live action sitcom created by Reed Agnew and Eli Jorné for Fox. [1] [2] The series stars Cheryl Hines, Johnny Pemberton, Tim Meadows, Artemis Pebdani, and Jason Sudeikis as the voice of Zorn. Son of Zorn is a joint production by Agnew Jorné Productions, Lord Miller Productions, and 20th Century Fox ...
In a major casting announcement, Nicholas Galitzine has been selected to play He-Man, the iconic blond barbarian, in the upcoming Masters of the Universe film adaptation. The journey of Masters of ...
Others think that man is used in a gender-neutral sense and thus refers to the Virgin Mary. Some think it is because he is from the line of David, Abraham and the other men listed in his genealogy in Matthew 1. Some believe that because he is, in a sense, a son of Adam, which in Hebrew means man. [2]
"Son of a Preacher Man" is a song written and composed by American songwriters John Hurley and Ronnie Wilkins and recorded by British singer Dusty Springfield in September 1968 for the album Dusty in Memphis. Springfield's version was produced by Jerry Wexler, Tom Dowd, and Arif Mardin for her first album for the Atlantic Records label.