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Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the Chinchini. The weaving of the chinchini is done by the 'Kpaluu', one of the traditional professional in the Dagbon society that has existed until today. The smock made from the Chinchini of Dagbon is the most worn traditional cloth of Ghana.
African designers acknowledge traditional craft and craftsmanship in contemporary designs. This places a focus on their heritage and traditions while remaining open to global influences and technology, and creates contemporary designs that take into account social sustainability and environmental sustainability needs of each region.
The International Art and Craft Fair, Ouagadougou – better known by its French name, SIAO (Le Salon International de L Artisanat de Ouagadougou) – is a trade show for art and handicrafts held biennially in Ouagadougou, the capital of Burkina Faso. It is one of Africa's most important arts and crafts trade shows.
Sample of the Egyptian Book of the Dead of the scribe Nebqed, c. 1300 BC. Africa is divided into a great number of ethnic cultures. [17] [18] [19] The continent's cultural regeneration has also been an integral aspect of post-independence nation-building on the continent, with a recognition of the need to harness the cultural resources of Africa to enrich the process of education, requiring ...
Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". [2] African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
Juju charms and spells can be used to inflict either bad or good juju. A "juju man" is any man vetted by local traditions and well versed in traditional spiritual medicines. [13] The word Juju is used in the West African Diaspora to describe all forms of charms made in African Diaspora Religions and African Traditional Religions. [14]