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The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that
Women's Fashions of the 17th Century Archived 3 September 2006 at the Wayback Machine (engravings by Wenceslaus Hollar) Etchings of French 1620s men's fashion (mostly) by Abraham Bosse; Surviving embroidered linen jacket c. 1620 at the Museum of Costume; Surviving embroidered linen jacket c. 1610–1615 at the Museum of Fine Arts, Boston
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
A ruff from the early 17th century: detail from The Regentesses of St Elizabeth Hospital, Haarlem, by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central and Northern Europe, as well as Spanish America, from the mid-16th century to the mid-17th century.
Full-dress shirts had ruffles of fine fabric or lace, while undress shirts ended in plain wrist bands. A small turnover collar returned to fashion, worn with the stock. In England, clean, white linen shirts were considered important in Men's attire. [10] The cravat reappeared at the end of the period.
A banyan is a garment worn by European men and women in the late 17th and 18th century, influenced by the Japanese kimono brought to Europe by the Dutch East India Company in the mid-17th century. [1] "Banyan" is also commonly used in present-day Indian English and other countries in the Indian subcontinent to mean "vest" or "undershirt".
Pages in category "17th-century fashion" The following 72 pages are in this category, out of 72 total. ... Mantua (clothing) Mantua (Kimberley Hall) Margaret Layton's ...
In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
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