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Rear of a cartonnage Anubis mask, Ptolemaic era This mummy of an unknown girl has a cartonnage composed of layers of linen and plaster. [1] The Walters Art Museum.. Cartonnage or cartonage is a type of material used in ancient Egyptian funerary masks from the First Intermediate Period to the Roman era.
Osiris was the Egyptian god of the afterlife. Ancient Egyptians believed that kings preserved in the likeness of Osiris would rule the Kingdom of the Dead. It never totally replaced the older cult of the sun, in which dead kings were thought to be reanimated as the sun-god Re, whose body was made of gold and lapis lazuli.
In other cultures a death mask may be a funeral mask, an image placed on the face of the deceased before burial rites, and normally buried with them. The best known of these are the masks used in ancient Egypt as part of the mummification process, such as the mask of Tutankhamun, and those from Mycenaean Greece such as the Mask of Agamemnon.
One of the most famous visages in archaeological history, that of ancient Egyptian King Tutankhamun, ... King Tut’s iconic mask is 21 inches tall, inlaid with precious stones, and features a 5.5 ...
Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]
Perhaps plaster masks were preferred if they could be afforded. Three-dimensional funerary masks of painted plaster from Faiyum (1st century), Montreal Museum of Fine Arts. Based on literary, archaeological and genetic studies, it appears that those depicted were native Egyptians, who had adopted the dominant Greco-Roman culture. [22]
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That the Egyptians also modelled fruits can be learned from numerous allusions in early literature. Among the Greeks during their best art period, wax figures were largely used as dolls for children; statuettes of deities were modelled for votive offerings and for religious ceremonies, and wax images to which magical properties were attributed ...
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