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Title Director Cast Genre/Note The 3rd Voice: Hubert Cornfield: Edmond O'Brien, Laraine Day, Julie London: Mystery: 20th Century Fox: 12 to the Moon: David Bradley: Ken Clark, Tom Conway, Michi Kobi
October 6 & December 16 – Dalton Trumbo, one of the Hollywood Ten, receives full screenwriting credit for his work on the films Spartacus and Exodus, released in the United States on these dates. October 27 – Film Saturday Night and Sunday Morning released, first of the British social-realist wave.
Similar to spy films, the heist or caper film included worldly settings and hi-tech gadgets, as in the original Ocean's Eleven (1960), Topkapi (1964) or The Thomas Crown Affair (1968). The spaghetti westerns (made in Italy and Spain), were typified by Clint Eastwood films, such as For a Few Dollars More (1965) or The Good, the Bad and the Ugly ...
This is a list of films which placed number one at the weekly box office in the United States during 1960 per Variety's weekly National Boxoffice Survey. The results are based on a sample of 20-25 key cities and therefore, any box office amounts quoted may not be the total that the film grossed nationally in the week.
Pages in category "1960 films" The following 200 pages are in this category, out of approximately 1,020 total. This list may not reflect recent changes.
1960: The 1000 Eyes of Dr. Mabuse: Fritz Lang: Peter van Eyck, Gert Fröbe, Dawn Addams: West Germany Italy France: Crime thriller [1] Classe Tous Risques: Claude Sautet: Lino Ventura, Jean-Paul Belmondo, Sandra Milo: Italy France: Crime thriller [2] The Housemaid: Kim Ki-young: South Korea [3] Key Witness: Phil Karlson: Jeffrey Hunter, Dennis ...
Beyond Silence (1960 film) Beyond the Law (1968 American film) Beyond the Time Barrier; The Bible: In the Beginning... The Big Bounce (1960 film) The Big Bounce (1969 film) The Big Cube; Big Daddy (1969 film) The Big Gamble (1961 film) A Big Hand for the Little Lady; The Big Mouth; The Big Night (1960 film) Big Red (film) The Big Show (1961 ...
Often there may be considerable overlap particularly between action and other genres (including horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if they bend genres. Action films are generally considered a post-Classical Hollywood film genre.
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