Search results
Results from the WOW.Com Content Network
"Cab Driver" is a song written by Carson Parks and performed by The Mills Brothers featuring Sy Oliver and His Orchestra. It reached #3 on the Easy Listening chart, #21 on the Cashbox chart, and #23 on the Billboard Hot 100 chart in 1968. [1] It was featured on their 1968 album Fortuosity. [2]
"Mr. Cab Driver" (1990) ... Kravitz wrote the song after an altercation with a cab driver. [1] Although the song deals with racism and discrimination, he wrote it ...
The Mills Brothers ad in The Film Daily, 1932. The Mills Brothers, sometimes billed The Four Mills Brothers and originally known as Four Boys and a Guitar, [1] were an American jazz and traditional pop vocal quartet who made more than 2,000 recordings that sold more than 50 million copies and garnered at least three dozen gold records.
Cab Driver (Ranwood, 1974) Inspiration (ABC Songbird, 1974) 50th Anniversary (Ranwood, 1976) The Mills Brothers (Pickwick, 1976) Singles. Year Single
"Car 67" is a novelty song by 'Driver 67' released in November 1978. It was in the UK Singles Chart for twelve weeks, reaching a high of No. 7 in February 1979. [1] The song is a ballad revolving around a cab driver who had split up with his girlfriend the previous day and how he is refusing to make a particular pick-up at 83 Royal Gardens (the passenger, unbeknownst to the controller, is the ...
"Taxi" is a song written by Harry Chapin, released as a single in early 1972 to coincide with the release of his album Heads & Tales. It is an autobiographical ballad using first-person narrative to tell the story of a taxi cab driver meeting an old flame from his youth when he picks her up in his cab.
Most of the performances feature rock bands, ranging from popular acts such as Death Cab for Cutie, The Kooks and My Morning Jacket to lesser known acts such as the Cave Singers. Other performances stray from the rock music scene, featuring poetry and beatboxing, for example. The motto of the Black Cab Sessions is "one song, one take, one cab."
The song received mostly mixed reviews by critics. AllMusic gave it a positive review, saying that the piano part is "worthy of one of Billy Joel's finest songs", and that it used "painterly synth, strummed acoustic guitars, and a killer string arrangement". It also said that it was "a fine song, but it's not the best one" on the album. [5]