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"Cab Driver" is a song written by Carson Parks and performed by The Mills Brothers featuring Sy Oliver and His Orchestra. It reached #3 on the Easy Listening chart, #21 on the Cashbox chart, and #23 on the Billboard Hot 100 chart in 1968. [1] It was featured on their 1968 album Fortuosity. [2]
"Taxi" is a song written by Harry Chapin, released as a single in early 1972 to coincide with the release of his album Heads & Tales. It is an autobiographical ballad using first-person narrative to tell the story of a taxi cab driver meeting an old flame from his youth when he picks her up in his cab.
The song "Mr. Tanner" was loosely based on a pair of New York Times concert reviews of baritone Martin Tubridy – once in 1971 [10] and once in 1972. [11] In 1974, Chapin released his most successful album, Verities and Balderdash, which sold 2.5 million units because of the number 1 hit "Cat's in the Cradle." The song is about a father who ...
"Car 67" is a novelty song by 'Driver 67' released in November 1978. It was in the UK Singles Chart for twelve weeks, reaching a high of No. 7 in February 1979. [1] The song is a ballad revolving around a cab driver who had split up with his girlfriend the previous day and how he is refusing to make a particular pick-up at 83 Royal Gardens (the passenger, unbeknownst to the controller, is the ...
The song was written in 1915 (although it was not published until 1930) by Johnny S. Black, [4] whose greatest success would come with his song "Dardanella", [5] which sold 5,000,000 copies in a recording by the bandleader Ben Selvin in 1920 and a further 2,000,000 copies of sheet music.
"Mr. Cab Driver" (1990) ... Kravitz wrote the song after an altercation with a cab driver. [1] Although the song deals with racism and discrimination, he wrote it ...
Convoy" also peaked at number two in the UK. The song capitalized on the fad for citizens band (CB) radio. The song was the inspiration for the 1978 Sam Peckinpah film Convoy, for which McCall rerecorded the song to fit the film's storyline. [4] The song received newfound popularity with its use during the 2022 Freedom Convoy.
The song received mostly mixed reviews by critics. AllMusic gave it a positive review, saying that the piano part is "worthy of one of Billy Joel's finest songs", and that it used "painterly synth, strummed acoustic guitars, and a killer string arrangement". It also said that it was "a fine song, but it's not the best one" on the album. [5]