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The large wooden crucifix was a German innovation at the very start of the period, as were free-standing statues of the enthroned Madonna. High relief was the dominant sculptural mode of the period. Master of Pedret , The Virgin and Child in Majesty and the Adoration of the Magi, apse fresco from Tredòs, Val d'Aran , Catalonia, Spain, c. 1100 ...
Romanesque art — the art of western Europe created during the High Middle Ages. Pages in category "Romanesque sculptures" The following 15 pages are in this category, out of 15 total.
Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works. While a great deal of Roman sculpture, especially in stone, survives more or less intact, it is often damaged or fragmentary; life-size bronze statues are much more rare as most have ...
Spanish Romanesque was also influenced by the Spanish pre-Romanesque styles, mainly the Asturian and the Mozarab. But there is also a strong influence from the moorish architecture, so close in space, specially the vaults of Córdoba`s Mosque , and the polylobulated arches.
Romanesque art in the MNAC collections. MNAC. ISBN 978-84-8043-196-5; Museu Nacional D'Art de Catalunya. MNAC. 1 March 2009. ISBN 978-84-8043-200-9; Carbonell, Eduard; Pagès, Montserrat; Camps, Jordi; Marot, Teresa (1998). Romanesque Art Guide: Museu Nacional D'Art de Catalunya. Museu Nacional d'Art de Catalunya.
Romanesque architecture [1] is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. [2] The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches.
He conceived his famous statue, The Thinker, in 1881-1882, and displayed a full-size model in 1904 at the Salon des Beaux-Arts. Twenty-eight castings of the statue were eventually made. [18] Toward the end of his life, he made an even more influential work, a sculptural portrait of Honoré de Balzac.
The walls of Romanesque churches were rarely left bare. Many Romanesque church interiors were painted with cycles of illustrations of Biblical stores. Sometimes the topics were of local interest; the paintings at Saint-Martin-de-Vic illustrate how the monks of Tours stole relics from the Monastery of Poitiers. The paintings were not limited to ...