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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The harm or loss which gives rise to the actio iniuriarum is a violation of a personality interest, usually classified, as per the definition above, under the following three headings: corpus, or bodily integrity; dignitas, or dignity; and; fama, or reputation. [2]
In Schenkerian analysis, a structural level is a representation of a piece of music at a different level of abstraction, with levels typically including foreground, middleground, and background. [1] According to Schenker musical form is "an energy transformation, as a transformation of the forces that flow from background to foreground through ...
Dignitas (Classical Latin: [ˈdɪŋnɪtaːs]) is a Latin word referring to a unique, intangible, and culturally subjective social concept in the ancient Roman mindset. The word does not have a direct translation in English .
A "Full Service" includes all three of these groups. But with the demise of daily "Matins" (choral morning prayer) from the Anglican liturgy and the reduction of the choral element in communion services composers are now more likely only to set the evening service. The "Burial Service" (see Requiem) is sometimes set separately.
Dignitas may refer to: Dignitas (Roman concept), a Roman virtue; Dignitas (non-profit organisation), organization providing physician-assisted suicide; Dignitas International, a humanitarian organisation; Dignitas (esports), a US-based esports team; Dignitas personae, a Vatican instruction on bioethics
Originally, the term was used for a piece of organ music that was free in style, and was intended to sound improvised (the word voluntary in general means "proceeding from the will or from one's own choice or consent"). [1] This probably grew out of the practice of church organists improvising after a service.
De Inventione is a handbook for orators that Cicero composed when he was still a young man. Quintilian tells us that Cicero considered the work rendered obsolete by his later writings. [1]