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Bluebeard was the subject of the pilot episode of an aborted television series, Famous Tales (1951), created by and starring Burl Ives with music by Albert Hague. A 1976 episode of Manga Sekai Mukashi Banashi titled in Japanese "Aohige" depicts the Bluebeard fairytale.
The 17th century Franco-Breton tale of Bluebeard, however, contains parallels and cognates with the contemporary insular British tale of "Jack the Giant Killer", in particular the violently misogynistic character of Bluebeard (La Barbe bleue, published 1697) is now believed to ultimately derive in part from King Mark Conomor, the 6th century ...
Bluebeard gives his wife the keys to his castle, art by Gustave Doré (1862). Like other historical figures such as Conomor or Henry VIII, Gilles de Rais has frequently been associated with the main character of the Bluebeard tale, to such an extent that this association has become "a cliché of folklorist literature", points out Catherine Velay-Vallantin, French specialist in the study of ...
Articles relating to Bluebeard (1697) by Charles Perrault. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of the present one to avoid the fate of her predecessors.
The White Dove is a French fairy tale collected by Gaston Maugard in Contes des Pyrénées. [ 1 ] It is Aarne-Thompson type 312, [ 2 ] and an oral variant of the type, which is best known by the literary tale, Bluebeard .
Ruth B. Bottigheimer catalogued this and other disparities between the 1810 and 1812 versions of the Grimms' fairy tale collections in her book, Grimms' Bad Girls And Bold Boys: The Moral And Social Vision of the Tales. Of the "Rumplestiltskin" switch, she wrote, "although the motifs remain the same, motivations reverse, and the tale no longer ...
Charles Perrault's fairy tale "Bluebeard" had previously been adapted for film in 1897, in a short version for the Lumière Brothers' studio. Méliès may have known and remembered this film in preparing his elaborate ten-scene version, which adds several elements characteristic of his films, including the appearances of a good Fairy and the Devil.
Another is a parodic rewriting of the fairy-tale Bluebeard, perhaps inspired by Angela Carter's story "The Bloody Chamber." Yet another consists of a single seven-page-long sentence (without a concluding period).