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The third volume of Oedipus Aegyptiacus deals exclusively with Kircher's attempts to translate Egyptian hieroglyphs.The primary source for Kircher's study of hieroglyphs was the Bembine Tablet, so named after its acquisition by Cardinal Bembo, shortly after the sack of Rome in 1527.
The title-page of the first edition of The Sphinx, with decorations by Charles Ricketts. The Sphinx is a 174-line poem by Oscar Wilde, written from the point of view of a young man who questions the Sphinx in lurid detail on the history of her sexual adventures, before finally renouncing her attractions and turning to his crucifix.
The forequarters of the Great Sphinx of Giza.The entrance to the Hall of Records is alleged to be near the sphinx's right paw (at lower right). The Hall of Records is a purported ancient library that is claimed to exist underground near the Great Sphinx of Giza in Egypt.
A message etched into an ancient sphinx has proven to be, well, sphinx-like. The “mysterious” inscription has long been an enigma, puzzling scholars for over a century.
Original watercolour of the idea for Oedipus and the Sphinx, 1861. Study for the head of Oedipus Oedipus and the Sphinx, Ingres, 1808.Oil on Canvas. Louvre, Paris. Oedipus and the Sphinx is an 1864 oil on canvas painting by Gustave Moreau that was first exhibited at the French Salon of 1864 where it was an immediate success.
An Antarctic Mystery (French: Le Sphinx des glaces, The Sphinx of the Ice Fields) is a two-volume novel by Jules Verne. Written in 1897, it is a continuation of Edgar Allan Poe's 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. It follows the adventures of the narrator and his journey from the Kerguelen Islands aboard Halbrane.
The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy.
For example, the folded-cloth glyph (𓋴) seems to have been originally an /s/ and the door-bolt glyph (𓊃) a /θ/ sound, but these both came to be pronounced /s/, as the /θ/ sound was lost. [clarification needed] A few uniliterals first appear in Middle Egyptian texts.