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Kung fu films were internationally successful and popular in the West where a kung fu fad had taken root. [23] The anti-imperialist themes of his films held a broad appeal for groups that felt marginalized and contributed to his popularity in Southeast Asia and the African-American and Asian-American communities of urban America.
Spiritual Kung Fu: Kung Fu: Half a Loaf of Kung Fu: Kung Fu: Shaolin Mantis (a.k.a. The Deadly Mantis) Five Deadly Venoms: Game of Death: Shogun's Samurai: Warriors Two: 1979: Re-Enter the Dragon: The Fearless Hyena: Snake in the Monkey's Shadow: The True Game of Death: Dragon Fist: Master With Cracked Fingers (a.k.a. Snake Fist Fighter) Mad ...
Kung fu films are a significant movie genre in themselves. Like westerns for Americans, they have become an identity of Chinese cinema. As the most prestigious movie type in Chinese film history, kung fu movies were among the first Chinese films produced and the wuxia period films (武俠片) are the original form of Chinese kung fu films. The ...
Best of the Best (1989 film) Best of the Best II; Bhadrachalam (film) The Big Boss; The Big Brawl; Big Trouble in Little China; Birth of the Dragon; Black Belt Jones; Black Dynamite; Black Mask (film) Blade (1998 film) Blade II; The Blade (film) Blade: Trinity; The Blazing Temple; Blind Boxer; Blood and Bone; The Blood Brothers (1973 film ...
Best of the Best (1989 film) Best of the Best 3: No Turning Back; Best of the Best 4: Without Warning; Best of the Best II; Big Trouble in Little China; Birth of the Dragon; Black Belt Jones; Black Eagle (1988 film) The Black Ninja; Black Samurai; Blade of the 47 Ronin; Blind Fury; Blind Rage (film) Blood and Bone; Blood Street; Bloodfist ...
The site's critical consensus reads, "Badass to the max, Enter the Dragon is the ultimate kung-fu movie and fitting (if untimely) Bruce Lee swan song." [80] On Metacritic, it has a weighted average score of 83 out of 100 based on reviews from 16 critics, indicating "universal acclaim". [81]
Five Deadly Venoms is considered one of the most popular martial arts films of its era, and has gone on to be considered a cult film. [1] [2] For their roles, Shieng, along with Lu Feng, Sun Chien, Philip Kwok, Wai Pak, and Lo Mang (who portrayed the five fighters), would become collectively dubbed by international audiences as the Venom Mob.
Because of this, wuxia came to flourish in British Hong Kong, and the genre of kung fu movie in Hong Kong action cinema became wildly popular, coming to international attention from the 1970s. The genre underwent a drastic decline in the late 1990s as the Hong Kong film industry was crushed by economic depression.
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