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A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
The accented beat must have only consonance (perfect or imperfect). The unaccented beat may have dissonance, but only as a passing tone, i.e. it must be approached and left by step in the same direction. Avoid the interval of the unison except at the beginning or end of the example, except that it may occur on the unaccented portion of the bar.
An appoggiatura (/ ə ˌ p ɒ dʒ ə ˈ tj ʊər ə / ə-POJ-ə-TURE-ə, Italian: [appoddʒaˈtuːra]; German: Vorschlag or Vorhalt; French: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.
However, convention implied that the written C should be played as a C ♯ in this context, and a cadential trill of a whole tone on the second to last note would then require a D ♯ /E ♭, the upper leading-tone of D ♮. Presumably, the debate was over whether to use D ♯ –C ♯ or D–C ♯ for the trill.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Whereas originally D5 was the nonchord tone in E5-(D5)-C5, here it becomes a chord tone because it is supported by G3 in the bass, and this chord itself is elaborated D5-(C5)-B4, where C5 is the nonchord tone. In music, particularly Schenkerian analysis, a linear progression (Auskomponierungszug or Zug, abbreviated: Zg.
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Changing tones. In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. [1] [2] The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone.