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Another important work written after Catherine's death was Libellus de Supplemento (Little Supplement Book), written between 1412 and 1418 by Tommaso d'Antonio Nacci da Siena (commonly called Thomas of Siena, or Tommaso Caffarini); the work is an expansion of Raymond's Legenda Major making heavy use of the notes of Catherine's first confessor ...
Barna da Siena, c. 1340. Although Saint Catherine of Alexandria was supposed to have lived in the third and fourth centuries, the story of her vision appears first to be found in literature after 1337, over a thousand years after the traditional dating of her death, and ten years before Catherine of Siena was born. [3]
Saint Catherine of Siena Receiving the Stigmata is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, executed c. 1515, now in the Pinacoteca Nazionale di Siena. The painting depicts Catherine of Siena kneeling in front of a crucifix, as she receives the stigmata. The Virgin Mary carrying the Christ Child appears ...
Under a canopy supported by angels, Mary enthroned, at the top of a flight of steps, looks at her infant son who rings Saint Catherine of Siena, kneeling on the right.. Some saints are present, arranged in an ordered symmetry, among with Saints Peter and Paul, Saint Sigismund, Saint Dominic, the infant John the Baptist, Bernardino of Siena and Saint Catherine of Alexandria, in the backgr
The Mystic Marriage of Saint Catherine is a c.1575 oil-on-canvas painting by Paolo Veronese, produced as the high altarpiece for Santa Caterina church in Venice. It remained there until the First World War, during which it was moved to its present home in the city's Gallerie dell'Accademia [ 1 ]
This church is indissolubly linked to the history of the Archconfraternity of Siena in Rome, to which it still belongs. A sizable Sienese community in Rome was established at the end of the 14th century, and first used the church of Santa Maria in Monterone as its home before shifting to Santa Maria sopra Minerva (site of Catherine of Siena's tomb) around the middle of the 15th century.
St. Catherine, kneeling before the Christ child, wears a wide fur-lined rose cloak and gilt crown; her long, blond hair is an attribute of aristocratic women of the time. At the sides are Saint John the Baptist and Saint Anthony the Great, with his typical attribute, a pig, at his feet.
Siena Cathedral (Italian: Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. Since the earth 13th-century the Siena Cathedral has been an important part of the Sienese identity.
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