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Concerto for Harp and Chamber Orchestra, Op. 69 (1977) [45] Geirr Tveitt. Harp Concerto No. 1 (Lost) Harp Concerto No. 2 "Concerto Eroico" op.170 (1957) [46] Heitor Villa-Lobos. Harp Concerto (1953) Georg Christoph Wagenseil. Concerto for Harp and strings in F, WWV 281 (1761) John Williams. On Willows and Birches (2009) Mario Zafred
The hymn was written by Newton after he had asked for assistance from his friend and neighbour, classical writer William Cowper, while he was the Church of England parish priest of Olney Church. [4] With Cowper's assistance, Newton was able to publish the Olney Hymns Hymnal , which included "Glorious Things of Thee Are Spoken", in 1779. [ 6 ]
Hymn to St Cecilia, Op. 27, for unaccompanied choir (poem by W. H. Auden; 1942) A Ceremony of Carols, Op. 28, for treble voices and harp (1942); an alternative arrangement for mixed voices and harp (or piano) is popular as well; Rejoice in the Lamb, Op. 30, for four soloists, choir, and organ (text by Christopher Smart; 1943)
Maxwell's own instrumental version, featuring an organ solo rather than his harp, which is heard in the introduction as well as in the coda of the song, reached #15 on the Billboard Hot 100 in 1964. Another of his songs, "Solfeggio," performed by Maxwell's orchestra and the Ray Charles Singers , gained unexpected fame as the theme for Ernie ...
Fuguing tunes are sacred music, specifically, Protestant hymns. They are written for a four-part chorus singing a cappella. George Pullen Jackson has described the fuguing tune as follows: In the fuging tune all the parts start together and proceed in rhythmic and harmonic unity usually for the space of four measures or one musical sentence.
Originally concluded with 'Alleluja' chorus (HG 20, p. 161), short instrumental ending probably written by Handel for Walsh publication. First performed with "Athalia" (HWV 52) 293 Organ F major ?26 March 1735 London, Covent Garden Theatre 1738 Opus 4 No. 5 Performed with revival of "Deborah" (HWV 51). 294 Harp, later Organ B-flat major
The Oratorio de Noël, Op. 12, by Camille Saint-Saëns, also known as his Christmas Oratorio, is a cantata-like work scored for soloists, chorus, organ, strings and harp.. While an organist at La Madeleine, Saint-Saëns wrote the Christmas oratorio in less than a fortnight, completing it ten days before its premiere on Christmas 1858
God is love, let Heav'n adore him − Hymn Tune, Twigworth (1964) God be in my head for SATB unaccompanied (1966) Benedictus es, Domine for SATB & Organ (1967) Preces and Responses for SATB unaccompanied (1967) Lord By Whose Breath All Souls and Seeds are Living - Hymn Tune, Erwin (publ. 1967) O Holy City seen of John − Hymn Tune, Sancta ...