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"Twice As Hard" is a song by the American southern rock band The Black Crowes. From on their first album, Shake Your Money Maker, the song was released as a single in 1990 and reached the 11th position in the Mainstream Rock charts. A music video directed by Pete Angelus was shot in 1990 to promote the single.
When the album came out in February 1990, critical reception was mostly favorable. Mark Coleman called Shake Your Money Maker "the kind of streamlined, supertight groove album that bar-band dreams are made of" in a review for Rolling Stone, [21] whose readers and critics later voted the Black Crowes "Best New American Band" at the end of 1990; [23] the band appeared on the cover of the ...
"Sting Me" is a song by American rock band the Black Crowes. It is the opening track on the band's second studio album, The Southern Harmony and Musical Companion, and was released in 1992 as its second commercial single.
The Freewheelin’ Bob Dylan is the big bang that makes everything Dylan has done since then possible, with such epochal masterpieces as “Blowin’ in the Wind,” “A Hard Rain’s a-Gonna ...
"She Talks to Angels" is a song by American rock band the Black Crowes. It is the eighth track on their first album, Shake Your Money Maker (1990), and was the fourth single released from the album in 1991.
"Jealous Again" is the debut single of American band the Black Crowes, released as the lead single from their 1990 debut album, Shake Your Money Maker.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
On the first release of the song, instead of "So I'm walkin' down that long, lonesome road babe, where I'm bound, I can't tell" Dylan sings "So long, honey babe, where I'm bound, I can't tell". The lyrics were changed when Dylan performed live versions of the song and on cover versions recorded by other artists.