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Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality. Caesura–A metrical pause or break in a verse where one phrase ends and another phrase begins. Enjambment–The continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
If a poem, lyric or composition has a title, it is usually formatted in title case. If it is an untitled work and that poem, lyric, or composition uses the first line of text as its title, the title should be formatted in sentence case. If an article title is the name of a book or long poem, the title should be presented in italic text.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of speech constitute the latter.
"Ulysses" is a poem in blank verse by the Victorian poet Alfred, Lord Tennyson (1809–1892), written in 1833 and published in 1842 in his well-received second volume of poetry. An oft-quoted poem, it is a popular example of the dramatic monologue .
Is 5 by E. E. Cummings, an example of free verse. Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ...
"The Scholar-Gipsy" (1853) is a poem by Matthew Arnold, based on a 17th-century Oxford story found in Joseph Glanvill's The Vanity of Dogmatizing (1661, etc.). It has often been called one of the best and most popular of Arnold's poems, [ 1 ] and is also familiar to music-lovers through Ralph Vaughan Williams ' choral work An Oxford Elegy ...
Shakespeare's standard poetic form was blank verse, composed in iambic pentameter with clever use of puns and imagery. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones.