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Briseis (/ b r aɪ ˈ s iː ɪ s /; Ancient Greek: Βρισηίς, romanized: Brīsēís, lit. 'daughter of Briseus', pronounced [briːsɛːís] ), also known as Hippodameia ( Ἱπποδάμεια , [hippodámeːa] ), [ 2 ] is a significant character in the Iliad .
In Greek mythology, Briseus (Ancient Greek: Βρισεύς) or Brises (Ancient Greek: Βρίσης) is the father of Briseis (Hippodameia), a maiden captured by the Greeks during the Trojan War, as recorded in the Iliad. [1]
In Greek mythology, Thersites (/ θ ɜːr ˈ s aɪ t iː z /; Ancient Greek: Θερσίτης) [n 1] was a soldier of the Greek army during the Trojan War. Thersites and Achilles, illustration for Shakespeare's 'Troilus & Cressida'.
The plot begins when Greeks led by Achilles sack Lyrnessus, describing the looting and burning of the city, the massacre of its men and the abduction of its women including Briseis, the childless wife of king Mynes. When the women are handed out to the leaders of the Greek raiders, Briseis, as beautiful and of royal blood, is given to Achilles.
Reviews for A Thousand Ships were generally positive, with reviewers praising the writing style and the feminist recentering of classic myths.Publishers Weekly called the novel "an enthralling reimagining" and wrote "Haynes shines by twisting common perceptions of the Trojan War and its aftermath in order to capture the women’s experiences". [10]
Panel of Achilles surrendering Briseis to Agamemnon. This dramatic scene depicts Achilles releasing Briseis to the Greek king Agamemnon. On the right side of the panel, Patroclus leads Briseis by the wrist. Achilles, seated, angrily directs them towards Agamemnon's messenger. [1]
These scenes belong to the v important sex scene subgenre known as the “romantic-sexy love scene.” ... Priestess Briseis (Rose Byrne) attempts to kill Achilles (Pitt), and then the two start ...
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.