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Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Costume design is the process of selecting clothing for a performer to wear. A costume may be designed from scratch or may be designed by combining existing garments. "Costume" may also refer to the style of dress particular to a nation, a social class, or a period. It is intended to contribute to the fullness of the artistic, visual world ...
Fortuny's garments, particularly the Delphos gown, have been valued for their artistic and aesthetic qualities since their creation. The fashion historian and writer Colin McDowell considers Fortuny one of the creators of fashion as art, [14] and a Delphos gown was one of only two garments contained in the collection of the Museum of Modern Art, New York in 2003.
A costume book is a collection of images or figures of dress worn by different people of different ranks and places. It emerged as a pictorial genre in the sixteenth century in Europe. Earlier costume books include figures from around the world. They are sometimes accompanied by text describing the costume and customs.
Folk costumes for women in Liechtenstein correspond to the definition of a "dirndl" in English, although the local tracht association (Liechtensteinische Trachtenvereinigung) discourages the name "dirndl". The official national dress of Liechtenstein features a black skirt and a white blouse with crocheted and bobbin laced necklines and sleeves.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
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