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"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
"Get Right With God" is a song written and performed by American singer-songwriter Lucinda Williams. It was released in 2001 as the second single from her sixth album, Essence (2001). The song earned Williams the Grammy Award for Best Female Rock Vocal Performance in 2002 .
"Up Above My Head" is a gospel song of traditional origin, first recorded in 1941 (as "Above My Head I Hear Music In The Air") by The Southern Sons, a vocal group formed by William Langford of the Golden Gate Quartet. [1] In the version that is now the best-known, it was recorded in 1947 by Sister Rosetta Tharpe and Marie Knight as a duo.
"Million Little Miracles" is a slow-tempo reflective song, [6] composed in the key of E with a tempo of 50 beats per minute, and a musical time signature of 4 4. [7] The lyrics of the song are testimonial, [8] as the singer expresses thankfulness for God's miracles, pointing toward his faithfulness over his life.
The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. [1] Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the gospel music duo. [2]
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According to the group, the song was written and produced to appeal to young generations with a mainstream sound that still captures the message of the gospel. The group's goal was achieved when the song received moderate success in dance clubs worldwide, while holding the #1 spot on the U.S.'s Hot Dance Club Play chart.
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