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"No Woman, No Cry" is a reggae song performed by Bob Marley and the Wailers. The song was recorded in 1974 and released on the studio album Natty Dread. [2]The live recording of this song from the 1975 album Live! was released as a single and is the best-known version; it was later included on several compilation albums, including the greatest hits compilation Legend.
"Turn Your Lights Down Low" is a song by Jamaican reggae band Bob Marley and the Wailers from their 1977 album, Exodus. It is the only song on side B of the album that was not released as a single. It is the only song on side B of the album that was not released as a single.
The song was written after Marley had been stopped by a night-time police carcheck. The influence of Marley's increasing devotion to Rastafari can be heard in religious-themed songs like "So Jah S'eh", "Natty Dread" and "Lively Up Yourself", while Marley's reputation as a romantic is confirmed with smooth, seductive songs like "Bend Down Low".
— Bob Marley and the Wailers, “No Woman, No Cry” “But we won’t worry, we won’t shed no tears / We found a way to cast away the fears.” — Bob Marley and the Wailers, “Forever ...
Talkin' Blues is a live album by Bob Marley & The Wailers, released in 1991. It contains live studio recordings from 1973 and 1975 intercut with interview segments of Bob Marley. It contains live studio recordings from 1973 and 1975 intercut with interview segments of Bob Marley.
"Turn the Lights Down Low", a song by Sarah McLachlan from Shine On ... a 1977 song by Bob Marley and the Wailers "After the Lights Go Down Low", ...
The new remix, which was intended strictly for this particular album project, was fashioned in the same way "Iron Lion Zion" was done for Songs of Freedom, and at the ending of "One Drop", the song is an alternate version and it plays a noise, possibly the noise at the ending of Bob Marley & The Wailers's "Satisfy My Soul" [released 1978 on the ...
Commissioned by Danny Sims (co-founder and owner of JAD Records) and issued after Marley's death in May 1981, Chances Are was a collection of previously unreleased recordings from 1968 to 1972 that were produced by JAD during Marley's time living in the U.S. and otherwise working with JAD back and forth from Jamaica to the States.