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Freddie King (September 3, 1934 – December 28, 1976) was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and B. B. King , none of whom was a blood relative).
Entered into the 1975 Cannes Film Festival: Wanted: Babysitter: René Clément: Maria Schneider, Sydne Rome, Vic Morrow: Thriller: French/Italian/German co-production [16] Waves of Lust: Ruggero Deodato: John Steiner, Silvia Dionisio, Al Cliver: Erotic: Weak Spot: Peter Fleischmann: Michel Piccoli, Ugo Tognazzi, Mario Adorf: Thriller: We Are No ...
Burglar is an album by the American musician Freddie King, released in 1974. [1] [2] King signed with RSO Records on the advice of Eric Clapton. [3] King supported the album with a North American tour than included shows with Rush, among others. [4] Burglar charted on Billboard's Soul LPs chart. [5]
Benny Turner (born October 27, 1939) [1] is an American blues musician. He is the younger brother of Freddie King and was the bass guitarist for the Freddie King Band. Later, Turner joined Mighty Joe Young as the bass guitarist of his band before becoming the bandleader for Marva Wright for 20 years. [2]
Jerry Garcia of the Grateful Dead, who have covered "Hide Away" and "Heads Up" live on several occasions, specifically cited "San-Ho-Zay" and "Sensation" (sic) as among the Freddie King album tracks that inspired him. [5] The album, which was cited as an influence by blues guitarist Stevie Ray Vaughan. [6] It was critically well received.
"Hide Away" is credited to Freddie King and Sonny Thompson (pianist and A&R man at Federal Records). However, in an interview, Freddie King stated that "Hide Away" came from a Hound Dog Taylor song called "Taylor's Boogie". [2] Shakey Jake Harris, a harmonica player who played with Magic Sam, recalled:
In 1975, they toured Australia and New Zealand with Freddie King and the duo of Sonny Terry and Brownie McGhee. Taylor's third album for Alligator, Beware of the Dog, was recorded live in 1974 but was not released until after his death. [8] Alligator also released, posthumously, Genuine Houserocking Music and Release the Hound. Bootleg live ...
From a contemporary review, John Pym reviewed the film in a dubbed 78 minute version. [1] Pym stated the film was a "barely functional Italian sex comedy" and that "Patrons of this hackneyed fare may be disappointed to find that an older and larger stand-in substitutes for Carletto in his big scene."
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