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Color vision is categorized foremost according to the dimensionality of the color gamut, which is defined by the number of primaries required to represent the color vision. This is generally equal to the number of photopsins expressed: a correlation that holds for vertebrates but not invertebrates .
The four pigments in a bird's cone cells (in this example, estrildid finches) extend the range of color vision into the ultraviolet. [1]Tetrachromacy (from Greek tetra, meaning "four" and chroma, meaning "color") is the condition of possessing four independent channels for conveying color information, or possessing four types of cone cell in the eye.
By comparison, every color in a trichromat's gamut can be evoked with a combination of monochromatic light and white light. Dichromacy in humans is a color vision deficiency in which one of the three cone cells is absent or not functioning and color is thereby reduced to two dimensions.
Congenital red–green color blindness – partial color blindness include protanopia, deuteranopia, etc. Oligocone trichromacy – poor visual acuity and impairment of cone function according to ERG, [expand acronym] but without significant color vision loss. [16] Bradyopsia – photopic vision cannot respond quickly to stimuli. [16]
Color blindness is any deviation of color vision from normal trichromatic color vision (often as defined by the standard observer) that produces a reduced gamut. Mechanisms for color blindness are related to the functionality of cone cells , and often to the expression of photopsins , the photopigments that 'catch' photons and thereby convert ...
An Ishihara test image as seen by subjects with normal color vision and by those with a variety of color deficiencies. A pseudoisochromatic plate (from Greek pseudo, meaning "false", iso, meaning "same" and chromo, meaning "color"), often abbreviated as PIP, is a style of standard exemplified by the Ishihara test, generally used for screening of color vision defects.
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For example, staring at a saturated primary-color field and then looking at a white object results in an opposing shift in hue, causing an afterimage of the complementary color. Exploration of the color space outside the range of "real colors" by this means is major corroborating evidence for the opponent-process theory of color vision.