Search results
Results from the WOW.Com Content Network
Lawrence Gellert (1898-1979?), was a music collector, who in the 1920s and 1930s amassed a significant collection of field-recorded African-American blues and spirituals and also claimed to have documented black protest traditions in the South of the United States.
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
On day five, when I heard the first line, I thought it was me, but all of a sudden, I realized it wasn't. At the end of the song it was announced, "The Moody Blues singing 'Go Now'." I was too out-done. This was the time of the English Invasion and the end of Bessie Banks’ career, so I thought. America's DJs had stopped promoting American ...
Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals , work songs , field hollers , shouts , chants , and rhymed simple narrative ballads from the African-American culture .
Mamie Smith (née Robinson; May 26, 1891 [1] – August or September 16, 1946) was an American rockstar/blues singer. As a vaudeville singer, she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African-American artist to make vocal blues recordings.
Albums such as African Blues by Ali Farka Toure have a noticeable African and American Blues influence. [clarify] The death of Malian guitar legend Ali Farka Touré has inspired a new round of speculation about the roots of the blues in Africa. Touré famously argued that the beloved American genre was "nothing but African", a bold assertion.
In 2004 The Truman and Eisenhower Blues: African-American Blues and Gospel Songs, 1945-1960 was published by Continuum. The third volume of Guido van Rijn's research into blues and gospel singers' reactions to American politics appeared as Kennedy's Blues: African-American Blues and Gospel Songs on JFK (University Press of Mississippi, 2007).
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.