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ali Panipati ki Ghazlen (Devnagri script), Ed. Laava (A long Urdu poem by Qais Jalandhari'), Ed. Colon Classification: a programmed text (2 Editions in English and one in Hindi) – English ; – Hindi ; Desh Videsh Ki Kahaniyan (in Hindi), Doodh Ka Mulaya (in Hindi), Doodh ki Qimat (in Urdu) – Folktales of the world;
The filmi-ghazal is a genre of filmi music based on ghazal poetry in Hindustani (Hindi-Urdu), used in Indian films, especially the music of Bollywood (Hindi cinema).The filmi-ghazals retain the couplet format and rhyme scheme similar to that in ghazals.
Qaṣīdas were typically much longer poems, with up to 100 couplets. Thematically, qaṣīdas did not include love, and were usually panegyrics for a tribe or ruler, lampoons, or moral maxims. However, the qaṣīda's opening prelude, called the nasīb , was typically nostalgic and/or romantic in theme, and highly ornamented and stylized in form.
The Indian numbering system is used in Indian English and the Indian subcontinent to express large numbers. Commonly used quantities include lakh (one hundred thousand) and crore (ten million) – written as 1,00,000 and 1,00,00,000 in some locales. [1]
Like many Indo-Aryan languages, Hindustani (Hindi-Urdu) has a decimal numeral system that is contracted to the extent that nearly every number 1–99 is irregular, and needs to be memorized as a separate numeral.
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Nazm (Urdu: نظم) is a major part of Urdu and Sindhi poetry that is normally written in rhymed verse and also in modern prose-style poems. Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal.
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