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As noted by NPR's Christina Lee, "My Dawg" is a "slow-motion thrill", with Metro Boomin's hi-hats and 21 Savage's threats starting "out of sync but come into lockstep when the snares kick in". [1] The song finds 21 addressing criticisms of his UK citizenship , and throws warning shots at any opps who "keep talking that UK shit like I ain't got ...
In 2016, Metro Boomin was credited with produced charting hits such as "Jumpman" by Future and Drake, "Bad and Boujee" by Migos ft. Lil Uzi Vert, "Low Life" by Future ft. The Weeknd, and the 21 Savage collaboration "X" ft. Future. That year, he contributed to Kanye West's The Life of Pablo, and he and 21 Savage released the EP Savage Mode.
My Choppa Hate Niggas; My Dawg (21 Savage and Metro Boomin song) N. Née-Nah; Niagara Falls (Foot or 2) ... U. Umbrella (Metro Boomin, 21 Savage and Young Nudy song)
On November 2, 2018, Metro released his debut studio album, Not All Heroes Wear Capes. The album debuted and peaked atop the Billboard 200, giving Metro his first chart-topping project. On October 2, 2020, Metro released a collaborative album with 21 Savage titled Savage Mode II, a sequel to their 2016 EP.
03. "Ric Flair Drip" (performed by Offset and Metro Boomin) (produced with Bijan Amir) 04. "My Choppa Hate Niggas" (performed by 21 Savage and Metro Boomin) (produced with CuBeatz) 05. "Nightmare" (performed by Offset and Metro Boomin) 06. "Mad Stalkers" (produced with Dre Moon) 07. "Disrespectful" 08. "Run Up the Racks" (performed by 21 Savage ...
It also produced two top-ten singles, "Redrum" and "Née-Nah", with the latter being a collaboration with Travis Scott and Metro Boomin, both these songs had debuted at number 5 and 10, respectively. It also produced the top-20 single, " N.H.I.E. " (a collaboration with Doja Cat ), in which reached at number 19.
On “U My Everything,” Drake raps over Metro’s “BBL Drizzy” beat, which the producer released online and encouraged his followers to make their own version of the song. More from Variety
[10] Thomas Hobbs from Highsnobiety describes Metro Boomin's work in Not All Heroes Wear Capes as a feeling "both minimalist and maximalist at the same time, with Metro creating vast compositions out of what feels like fairly traditional rap production techniques", with praises to the album as "consistently engaging". [8]