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Et in Arcadia ego (also known as The Arcadian Shepherds) is an oil-on-canvas painting created c. 1618–1622 by the Italian Baroque artist Giovanni Francesco Barbieri (Guercino). It is now on display in the Galleria Nazionale d'Arte Antica of Rome .
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666), [1] better known as (il) Guercino [2] (Italian pronunciation: [ɡwerˈtʃiːno] ⓘ), was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical ...
In classical antiquity, Greek and Roman writers were acquainted with people of every skin tone from very pale (associated with populations from Scythia) to very dark (associated with populations from sub-Saharan Africa . People described with words meaning "black", or as Aethiopes, are occasionally mentioned throughout the Empire in surviving ...
Buried and unseen for nearly 2,000 years, a series of striking paintings showing Helen of Troy and other Greek heroes has been uncovered in the ruined Roman town of Pompeii.
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
Black boy with slave collar, Dutch 17th-century painting. Representations of slavery in European art date back to ancient times. They show slaves of varied ethnicity, white as well as black. In Europe, slavery became increasingly associated with blackness from the 17th century onwards. [1] However, slaves before this period were predominantly ...
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