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Shamisen are classified according to size and genre. There are three basic sizes: hosozao, chuzao and futozao. Examples of shamisen genres include nagauta, jiuta, min'yo, kouta, hauta, shinnai, tokiwazu, kiyomoto, gidayu and tsugaru. Shamisen used for traditional genres of Japanese music, such as jiuta, kouta, and nagauta, adhere to very strict ...
Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
From these styles also emerged the two principal survivors of the biwa tradition: satsuma-biwa and chikuzen-biwa. [3] From roughly the Meiji period (1868–1912) until the Pacific War , the satsuma-biwa and chikuzen-biwa were popular across Japan, and, at the beginning of the Shōwa period (1925–1989), the nishiki-biwa was created and gained ...
The satsuma-biwa "emerged from interaction between moso and the samurai class" in Satsuma Province, starting a period of popularity for "modern biwa" until the 1930s, while the chikuzen-biwa had its origin in the 1890s in the Chikuzen region of Kyushu, drawing upon aspects of mōsō music, shamisen, and the satsuma-biwa technique. [13]
The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi). The root of Biwa music was The Tale of the Heike. [7] Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed]
Blind musicians known as biwa hōshi at Tōdōza improved the instrument and created what would be the shamisen. They used the plectrum of the Japanese biwa to play the shamisen, thus creating the beginning of jiuta as shamisen music. Ishimura-Kengyo is particularly regarded as originator of shamisen music.
In the 20th century, a number of composers have integrated Western elements into nagauta styles, including playing the shamisen at a faster tempo, in violin cadenza style, or by using larger ensembles to increase the volume. [1] Nagauta is the basis of the Nagauta Symphony, a symphony in one movement composed in 1934 by composer Kosaku Yamada.
Instrument Picture Classification H-S Number Origin Common classification Relation Adungu: chordophones: 3: Uganda: stringed instruments: Aeolian harp: chordophones