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The basic premise of the concept of mundane reason is that the standard assumptions about reality that people typically make as they go about day to day, including the very fact that they experience their reality as perfectly natural, are actually the result of social, cultural, and historical processes that make a particular perception of the world readily available.
Sometimes considered a variety of literary minimalism, dirty realism is characterized by an economy with words and a focus on surface description.Writers working within the genre tend to avoid adverbs, extended metaphor and internal monologue, instead allowing objects and context to dictate meaning.
Freud considers a quota of escapist fantasy a necessary element in the life of humans: "[T]hey cannot subsist on the scanty satisfaction they can extort from reality. 'We simply cannot do without auxiliary constructions', Theodor Fontane once said, [16] "His followers saw rest and wish fulfilment (in small measures) as useful tools in adjusting to traumatic upset"; [17] while later ...
For the purposes of a mundane phenomenology of the social world, we, as phenomenological social scientists, engage in a mundane phenomenological reduction called the Epoché. The hallmark of this form of the reduction is what it reveals about its field of inquiry: a mundane phenomenology of the social world defines its phenomenal field as the ...
scientific conclusion about reality. With science you can build a complex explanation for an observation as high as a house of cards or you could invoke Occam’s razor and shave it down to the essential facts. However, the simplest explanation, rather than the most convoluted, will usually suffice.
Perfection and imperfection, then, are in reality merely modes of thinking, or notions which we form from a comparison among one another of individuals of the same species; hence I said above (II. Def. vi.), that by reality and perfection I mean the same thing. For we are wont to refer all the individual things in nature to one genus, which is ...
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The fundamental of his philosophy is pure immaterial light, where nothing is manifest, and which unfolds from the Light of Lights in a descending order of ever-diminishing intensity and, through complex interaction, gives rise to a "horizontal" array of lights, similar in conception to Platonic forms, that governs mundane reality. In other ...