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Portrait miniature of an unknown woman, possibly Emilia Lanier Bassano, c. 1590, by Nicholas Hilliard [1]. The Emilia Lanier theory of Shakespeare authorship contends that the English poet Emilia Lanier (née Aemilia Bassano; 1569–1645) is the actual author of at least part of the plays and poems traditionally attributed to William Shakespeare.
Dr. Orville Ward Owen (January 1, 1854 – March 31, 1924) was an American physician, and exponent of the Baconian theory of Shakespearean authorship. Owen claimed to have discovered hidden messages contained in the works of Shakespeare/Bacon. He deciphered these using a device he invented called a "cipher wheel".
Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
Anthony Holden says that the book became "something of a publishing phenomenon" – a 750-page survey of Shakespeare which gained bestseller status and drew widespread attention to its author. "If his analyses are boldly colloquial," says Holden, "at times so sounding almost as if they were dictated, his insights are unfailingly original and ...
The first book by Charlotte Stopes on Shakespearean matters was The Bacon/Shakespeare Question (1888), which examined attitudes on particular details found both in Bacon's works and in those attributed to Shakespeare. Mrs Stopes concluded that there were fundamental differences, arguing that Bacon was not the author.
Shakespeare Was a Woman and Other Heresies is a 2023 nonfiction book by journalist Elizabeth Winkler about the Shakespeare authorship question. The book uses journalism and literary criticism to explore the possibility that the works of Shakespeare were written by someone other than William Shakespeare of Stratford-upon-Avon .
Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years.
The Dark Lady sonnets delve into sexuality, jealousy, and beauty. [11] The first sonnet of this series, Sonnet 127, begins with Shakespeare's Speaker apologizing for his mistress's un-ideal beauty, associated with old age. [12] Instead of shying away from unauthentic interpretation, he emphasizes his mistress's cruel and "black" state. [13]