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In 2008, John Hudson, scholar and theatre producer, introduced the idea that Lanier wrote the works of Shakespeare. [2] [5] [6] Hudson found similarities between the works of Shakespeare and Lanier's poetry book Salve Deus Rex Judaeorum. He also noted her educated background and cosmopolitan upbringing as support of the idea.
Dr. Orville Ward Owen (January 1, 1854 – March 31, 1924) was an American physician, and exponent of the Baconian theory of Shakespearean authorship. Owen claimed to have discovered hidden messages contained in the works of Shakespeare/Bacon. He deciphered these using a device he invented called a "cipher wheel".
Gertrude Mabel Barrows was born in Minneapolis in 1884, to Charles and Caroline Barrows (née Hatch). Her father, a Civil War veteran from Illinois, died in 1892. [8] [dubious – discuss] Gertrude completed school through the eighth grade, [3] then attended night school in hopes of becoming an illustrator (a goal she never achieved).
Lanier's book is the first book of substantial, original poetry written by an Englishwoman. She wrote it in the hope of attracting a patron. It was also the first potentially feminist work published in England, as all the dedications are to women and the title poem "Salve Deus Rex Judaeorum", about the crucifixion of Christ, is written from a ...
Most of the book is devoted to critical analyses of the plays and not explanation of the book's subtitle; though these analyses are "richly packed with brilliant observations", they "do not add up to the kind of systematic support Bloom's central claim deserves and demands", and not enough attention is given to the ramifications of that claim. [5]
Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years.
[10] The Dark Lady sonnets delve into sexuality, jealousy, and beauty. [11] The first sonnet of this series, Sonnet 127, begins with Shakespeare's Speaker apologizing for his mistress's un-ideal beauty, associated with old age. [12] Instead of shying away from unauthentic interpretation, he emphasizes his mistress's cruel and "black" state. [13]