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"The Prayer of Russians" [a] is a patriotic hymn that was used as the national anthem of Imperial Russia from 1816 to 1833. After defeating the First French Empire, Tsar Alexander I of Russia recommended a national anthem for Russia. The lyrics were written by Vasily Zhukovsky, and the music of the British anthem "God Save the King" was used.
A hand-drawn lubok featuring 'hook and banner notation'. The stolp notation was developed in Kievan Rus' as an East Slavic refinement of the Byzantine neumatic musical notation. . After 13th century, the Znamenny Chant and stolp notation continued to develop to the North (particularly in Novgorod), where it flourished and was adopted throughout the Grand Duchy of Mosc
In the modern Russian Federation, it is performed in military ceremonies when honoring - at the opening of monuments, farewell to servicemen and at burial. [ 5 ] The text of the hymn is based on the 48th Psalm and is replete with Christian symbolism, and its music is close to individual Voices of the Great Znamenny Chant .
Russian Liturgical Music is the musical tradition of the Russian Orthodox Church. This tradition began with the importation of the Byzantine Empire's religious music when the Kievan Rus' converted to Orthodoxy in 988.
A portion of the Liturgy was given in concert performance in New York on January 24, 1914, by the male choir of the Russian Cathedral of St. Nicholas, conducted by Ivan Gorokhov. [ 3 ] A new edition, reconstructed from surviving part books at an Orthodox monastery in the U.S. and microfilm at the U.S. Library of Congress , was published by ...
Be glorious, our Great Russian People. Enemies, encroached on Native land, Strike down mercilessly with a mighty hand. Glory, glory, Heroes of the soldiers, The homeland of our brave sons. Glory! Praise, praise to the troops! Here it is, our Kremlin! With him all Russia and the whole world! Sing the whole world! Rejoice, Russian people! Sing ...
The second set of poetic works was involved mainly with, as VanderKam describes as "regular members of the community" and no extraordinary claims were made by the poet. This section of the hymns is concerned with central themes of obedience to god, God judges evil, knowledge to God's followers, and the righteous praise god. [10] [11]
Pavel Grigorievich Chesnokov (Russian: Пáвел Григóрьевич Чеснокóв) (24 October 1877, Voskresensk, Zvenigorodsky Uyezd, Moscow Governorate – 14 March 1944, Moscow, also transliterated Tschesnokoff, Tchesnokov, Tchesnokoff, and Chesnokoff) was an Imperial Russian and Soviet composer, choral conductor and teacher.