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The Yata no Kagami represents "wisdom" or "honesty," depending on the source. [2] Its name literally means "The Eight Ata Mirror," a reference to its size. [3] [4] Mirrors in ancient Japan represented truth because they merely reflected what was shown, and were objects of mystique and reverence (being uncommon items).
Folding mirrors, also called "box mirrors", from about 400 BCE, typically had relief designs on the outside of the lid, and engraved decoration on the inside. Most were still round, and lacked handles, presumably as they were meant to be held by a maid. Eros/Cupid is often shown holding up a mirror for Aphrodite/Venus.
Mirrors were viewed as metaphors for sacred caves and as conduits for supernatural forces; they were associated with fiery hearths and pools of water because of their bright surfaces. Mirrors were also closely associated with the sun. [6] Mirrors were often used in pre-Columbian Mexico to reveal a person's destiny through divination. [7]
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
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Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [ 1 ] (1711–1786), who was responsible for its revival.
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