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Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash, released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of the self-titled studio album .
"The Silence of the Clamps" is the fourteenth episode in the sixth season of the American animated television series Futurama, and the 102nd episode of the series overall. It originally aired July 14, 2011 on Comedy Central .
"Clampdown" is a song by the English rock band the Clash from their 1979 album London Calling. The song began as an instrumental track called "Working and Waiting". [1] It is sometimes called "Working for the Clampdown" which is the main lyric of the song, and also the title provided on the album's lyric sheet.
As the old saying goes, "Give 'em enough rope, and they'll likely hang themselves." Sometimes this is the best approach when dealing with blocked users.If they are pleading to be unblocked and swearing up and down that they understand and won't repeat whatever it was that got them blocked, rather than arguing the finer points of the original block or demanding further explanation, it's usually ...
While at Farrell's he developed a speech for new employees called Give 'em the Pickle!, based on a letter he received from a disappointed customer.He expanded this speech into a career as a speaker at motivational and employee-training events.
The song attacks the political and economic situation in England at the time, citing the lack of jobs available, particularly to youth, and the dreariness and lack of appeal of those that were available.
Marius Gustavson, who led the extreme body modification ring, is one of six men appealing against the length of their sentences for their role in the enterprise (PA Media)
Rick Anderson of AllMusic wrote that the song "features the best and most satisfying chord progression and melody the Clash ever came up with". [2] Bill Wyman of Vulture ranked "Death or Glory" as the seventh best Clash song, calling it "one of the band's most raw and emotional performances".