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The dominant seventh chord is frequently used to approximate a harmonic seventh chord, which is one possible just tuning, in the ratios 4:5:6:7 [1] Play ⓘ, for the dominant seventh. Others include 20:25:30:36 Play ⓘ , found on I, and 36:45:54:64, found on V, used in 5-limit just tunings and scales.
The substitute dominant may be used as a pivot chord in modulation. [11] Since it is the dominant chord a tritone away, the substitute dominant may resolve down a fifth, to a tonic chord a tritone away from the previous tonic (for example, in F one may feature a ii–V on C, which with a substitute dominant resolves to G ♭, a distant key from ...
The resistance of copper wire is approximately 1 ohms / 1000 feet for 10 AWG, 10 ohms / 1000 feet for 20 AWG, 100 ohms / 1000 feet for 30 AWG, and so on. [ 5 ] : 27 Because aluminum wire has a conductivity of approximately 61% of copper, an aluminum wire has nearly the same resistance as a copper wire that is two sizes ...
Each notch is stamped with a number, and the wire or sheet, which just fits a given notch, is stated to be of, say, No. 10, 11, 12, etc., of the wire gauge. The circular forms of wire gauge measurement devices are the most popular, and are generally 3 + 3 ⁄ 4 inches (95 mm) in diameter, with thirty-six notches; many have the decimal ...
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
Young powered the Hawks to a wild 124-121 win over the Utah Jazz on Tuesday night with one of the most ridiculous shots of his career. Young's shot was only half of the finish at the Delta Center.
This is possible because the ♭ II 7 has the same third and seventh as the V 7, but inverted; for example, the third and seventh of G 7 are B and F, while the third and seventh of D ♭ 7 are F and C ♭, which is enharmonic to B. Performing this substitution (in this case, changing Dm 7 –G 7 –C maj7 to Dm 7 –D ♭ 7 –C maj7) creates ...
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