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Some graffiti characters evolve from drawing faces inside letters, which then develop into more complex characters. [9] Characters may be used as substitutes for individual letters. [ 5 ] [ 10 ] There is usually a clear connection between a writers handstyle and the way they draw their character(s).
The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
Calligraphy artist Hassan Massoudy called Arabic calligraphy and graffiti "two daughters of the same parents" because of their interrelationship. He notes that "Obviously [calligraphy and graffiti] both are about the use of letters and their alphabets, and their center of gravity is the beauty of writing.
Philly letters are usually difficult to read for those outside the graffiti community due to this abstraction and stylisation of the letters. Pichação is a handstyle developed in São Paulo. This handstyle is distinctively cryptic and has a dark aesthetic. The letters are usually painted vertically, while free climbing or rappeling off buildings.
Graffiti (singular graffiti or graffito, the latter only used in graffiti archeology) is writing or drawings made on a wall or other surface, usually without permission and within public view. [ 1 ] [ 2 ] Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times , with examples dating back ...
Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE
A piece using the letters EKOM. Pieces, short for masterpieces, are a form of graffiti that involves large, elaborate and detailed letter forms. They are one of the main forms of modern graffiti, along with tags and throw ups, and are the least controversial of the three [1] and least likely to be seen as vandalism. [citation needed]
Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.
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