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Mirrors were viewed as metaphors for sacred caves and as conduits for supernatural forces; they were associated with fiery hearths and pools of water because of their bright surfaces. Mirrors were also closely associated with the sun. [6] Mirrors were often used in pre-Columbian Mexico to reveal a person's destiny through divination. [7]
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
Smoke and mirrors is a classic technique in magical illusions that makes an entity appear to hover in empty space. It was documented as early as 1770 and spread widely after its use by the charlatan Johann Georg Schröpfer , who claimed to conjure spirits.
A house of mirrors in the Czech Republic House of mirrors in Carters Steam Fair 2009. A house of mirrors or hall of mirrors is a traditional attraction at funfairs (carnivals) and amusement parks. The basic concept behind a house of mirrors is to be a maze-like puzzle (made out of a myriad of mirrors). [1]
There are many different methods of catoptromancy. Some practitioners use a single mirror, while others use multiple mirrors or even crystal balls. Some people look into the mirror in a dark room, while others prefer to do it in natural light. Some practitioners focus on their own reflection, while others look for visions of other people or events.
The Yata no Kagami represents "wisdom" or "honesty," depending on the source. [2] Its name literally means "The Eight Ata Mirror," a reference to its size. [3] [4] Mirrors in ancient Japan represented truth because they merely reflected what was shown, and were objects of mystique and reverence (being uncommon items).
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The mirrors, referred to as "girandoles" or "girandole mirrors", have projecting curved arms for holding candles and were designed to created a pleasantly distorted reflections of the rooms they were in. [31] These became popular in the Federal period (1790 to 1830) in the United States, where the mirrors were often topped with an eagle finial.