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"Monkey Gone to Heaven" was the first Pixies song to feature guest musicians: two cellists, Arthur Fiacco and Ann Rorich, and two violinists, Karen Karlsrud and Corine Metter. The band had signed to Elektra Records at the end of 1988, [ 2 ] so the "Monkey Gone to Heaven" single was their first American and major label release.
Articles relating to the Monkey King (Sun Wukong), his cult, and his depictions. He is a literary and religious figure best known as one of the main players in the 16th-century Chinese novel Journey to the West (traditional Chinese: 西遊記; simplified Chinese: 西游记).
This is an accepted version of this page This is the latest accepted revision, reviewed on 30 December 2024. Character in Chinese mythology For other uses, see Monkey King (disambiguation). "Wukong" redirects here. For other uses, see Wukong (disambiguation). "Qi Tian Da Sheng" redirects here. For Pu Songling's story, see The Great Sage, Heaven's Equal. In this Chinese name, the family name is ...
Phil Wickham shared the story behind the song, saying: "The song is all about bringing heaven to this moment, with the way we act, and the way we speak, and the way we live, letting Jesus be the king and his rule, and his way taking over." [6] On February 11, 2021, Wickham also released the radio version of the song. [1]
The song appears with slightly different lyrics and a radically different arrangement as "Jesus Was Way Cool (Millennium Edition)" on the band's 2003 album The Psychopathology of Everyday Life. Additionally, a live version appears on the single for "My Heart Is A Flower," in which Hall alters the lyrics slightly.
The Monkey King Conquers the Demon is a 1985 Chinese donghua feature film directed by Te Wei, Lin Wenxiao, and Ding Xianyan and produced by the Shanghai Animation Film Studio. The film serves as a loose sequel to Havoc in Heaven , and adapts later episodes in the 16th century Chinese novel Journey to the West .
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Titles like "Bye and Bye We're Going to See the King" and "I Wouldn't Mind Dying (If Dying Was All)" are taken from the refrain. The title of the 1929 version by Washington Phillips, "A Mother's Last Word to Her Daughter", whose verses differ markedly from other versions, was presumably chosen to indicate that he intended it as a companion song to his "Mother's Last Word to Her Son" of 1927.