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Carequinha – Brazilian clown and actor, born in a circus to a circus family Brazil; Cepillín – Mexican clown; Cha-U-Kao - French clown, performer at the Moulin Rouge; Charlie Bell – American clown, Ringling Bros. circus; Charlie Cairoli – Italian-born British clown; Pinto Colvig - American clown who later became famous as the voice of ...
Grimaldi was born in Clerkenwell, London, to the actor Joseph Grimaldi and his dancer wife Mary Bristow. [2] Grimaldi's father popularised the role of Clown in the harlequinade of the early 1800s and invented the modern conception of whiteface clown. [3]
A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms.The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin.
Grimaldi made a big impression, especially in Dibdin's Easter 1800 pantomime, Peter Wilkins: or Harlequin in the Flying World, based on Robert Paltock's 1751 novel. [53] [54] For this elaborate production, which featured two Clowns (Dubois and Grimaldi), Dibdin introduced new costume designs. Clown's costume was "garishly colourful ...
Dan Rice (January 23, 1823 – February 22, 1900) was an American entertainer of many talents, most famously as a clown, who was active before the American Civil War. At the height of his career, Rice was a household name. Dan Rice also coined the terms "One Horse Show" and "Greatest Show" while popularizing the barrel-style "French" cuff.
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Thomas Barry was born in Ireland in around 1810. [1] He was married to Elizabeth Campbell (died 1873), an actress who performed at Sadler's Wells Theatre and in Marylebone. [1] [2] Barry's son, also called Thomas Barry, was born in Manchester in 1839 – he would later also perform as a circus clown.
A Clown's Christmas (1900), was written by Fernand Beissier, one of the founders of the Cercle Funambulesque. [63] (Monti would go on to acquire his own fame by celebrating another spiritual outsider much akin to Pierrot—the Gypsy. His Csárdás [c. 1904], like Pagliacci, has found a secure place in the standard musical repertoire).