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The EQP-1 is a passive equalizer with a tube amplifier stage that restores the gain lost from the passive EQ, making it practical for use in broadcast and recording. [5]Its low frequency section is a shelving EQ with three selectable frequency bands at 30, 60, and 100 Hz which can be simultaneously boosted or attennuated.
For loudness compensation to work correctly the playback system must also accurately assume what volume level was used in mastering. For movie soundtracks this reference volume level is an industry standard [ 4 ] and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy.
Stereo 31-band 1/3-octave graphic equalizer for use in sound reinforcement applications. In the graphic equalizer, the input signal is sent to a bank of filters. Each filter passes the portion of the signal present in its own frequency range or band. The amplitude passed by each filter is adjusted using a slide control to boost or cut frequency ...
Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.
MultEQ, Dynamic Volume, Dynamic EQ, Dynamic Surround Expansion, Sound Equalizer, Sub Equalizer Audyssey Laboratories, Inc. ( Audyssey ) is an American-based company specializing in technologies that address acoustical problems in sound reproduction systems used in homes, cars, studios, and movie theaters.
Equalization was also applied to correct the response of the transducers, for example, a particular microphone might be more sensitive to low frequency sounds than to high frequency sounds, so an equalizer would be used to increase the volume of the higher frequencies (boost), and reduce the volume of the low frequency sounds (cut).
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