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When “Cannonball” was released, the song’s lyrics (like “I’m washing my hands on you / How could you be so untrue”) were, contrary to belief, not about Roger Hodgson, but instead (according to a French radio interview) a “less than perfect” concert promoter Rick Davies wouldn’t name. [3]
Brother Where You Bound is the eighth studio album by the English rock band Supertramp, released in 1985. It was their first album after original member Roger Hodgson left the band, leaving Rick Davies to handle the songwriting and singing on his own. The album features the group's Top 30 hit "Cannonball".
Live at Montmartre (George Adams and Don Pullen album) Live at the Apollo (Hall & Oates album) Live at the Harlem Square Club, 1963; Live at the Village Vanguard (Michel Petrucciani album) Live at Vielharmonie; Live in Allentown; Live in Boston (Fleetwood Mac album) Live in Carré; Live in London (Ricky Skaggs album) Live One (Dragon album ...
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His best known album, Gibson & Camp at the Gate of Horn, was released in 1961. His songs have been recorded by, among others, The Limeliters , Peter, Paul and Mary , Simon & Garfunkel ('You Can Tell The World'), The Seekers , The Byrds , The Smothers Brothers , Phil Ochs , The Kingston Trio and Bob Dylan .
Showdown! is a collaborative blues album by guitarists Albert Collins, Robert Cray and Johnny Copeland, [1] released in 1985 through Alligator Records. [4] The album is mostly original material, with cover versions of songs like T-Bone Walker 's "T-Bone Shuffle", Muddy Waters ' "She's into Something" and Ray Charles ' "Blackjack".
A live recording first appeared on their 1971 self-titled album. B.B. King recorded the song for his 1985 album Six Silver Strings. Released on a single by MCA Records, his rendition reached number 62 on Billboard ' s Hot Black singles chart. [3] Hope Sandoval recorded the song for Mercury Rev's 2019 album Bobbie Gentry's The Delta Sweete ...
[23] The musician uses a guitar synth on the album, and many tracks are dominated by LinnDrums, which were described by Ward Wilson as "an 80s concession". [24] Beck's guitar work, writes Rick Shefchik, forgoes typically structural notes and chords in favour of tones that "sound like a lawn mower, a jet, a dragster – just about anything that ...