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"The Thaw" is the 39th episode of Star Trek: Voyager, the 23rd episode of the second season. In this science fiction television show, the crew of a spaceship discover aliens who are mentally connected to a computer.
This is an episode list for the science-fiction television series Star Trek: Voyager, which aired on UPN from January 1995 through May 2001. This is the fifth television program in the Star Trek franchise, and comprises a total of 168 (DVD and original broadcast) or 172 (syndicated) episodes over the show's seven seasons.
The Thaw (Star Trek: Voyager) Threshold (Star Trek: Voyager) Tuvix; Twisted (Star Trek: Voyager) This page was last edited on 21 May 2024, at 19:26 (UTC). Text is ...
Star Trek: Voyager is an American science fiction series created by Rick Berman, Michael Piller and Jeri Taylor. It aired from January 16, 1995, to May 23, ...
"Threshold" is the 31st episode of American science fiction television series Star Trek: Voyager and the 15th episode in its second season. It first aired on UPN on January 29, 1996. [1] The series follows the adventures of the Federation starship Voyager during its journey home to Earth, having been stranded tens of thousands of light-years away.
On stardate 48975.1, the crew of Voyager follows an ancient SOS to a Class L planet whose atmospheric interference requires landing the ship to investigate. On the surface, Captain Janeway (Kate Mulgrew) leads an away team to discover the source of the transmission: a Lockheed Model 10 Electra [5] with an alien generator added to sustain the SOS.
[2] Klink knew that Tim Russ could sing and wanted to include a Vulcan lullaby, which caused him some concern. She reassured him that "a Vulcan lullaby would be practical and include a lesson" and the composer chose a suitably somber melody. Klink even got inducted into the songwriters union ASCAP as a result. [2]
"Initiations" is Kenneth Biller's first solo writing credit on Star Trek: Voyager; he summarized the episode as "the Kazon put a hit out on Chakotay". [1] The Chakotay-focused episode was meant to correct what co-creator and executive producer Jeri Taylor felt was an underutilization of the character in the first season. [2]